And we: spectators, always, everywhere, turned toward the world of objects, never outward. It fills us. We arrange it. It breaks down. We rearrange it, then break down ourselves.

Typeface (re)drawn from an unidentified example found in a Swiss children’s book.

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“Maria” was used on the cover of Paul Haworth’s short novel Silk Handkerchiefs and its sequel Alone, Desperate, and Going Nowhere, both designed and published by Sam de Groot / TRUE TRUE TRUE;

as well as for Architecture on Display and Four Conversations on the Architecture of Discourse by Aaron Levy and William Menking, designed by Wayne Daly and published by AA Publications, London;

this illustration by Ryan Waller (Other Means) which accompanied a review in the New York Times of David Bellos’ Is That a Fish in Your Ear?;

and Topmotiviert, an artist’s book by Linus Bill, published by Rollo Press.